"She'll never, never break off!" said Fleda. "Then you had much better let Mr. Gereth go, and stay by yourself and make me a pleasant visit. You can talk with him when you like, but it is the first time you've been to see me."!

"Ah, then he did put his case to you!" Mrs. Gereth exclaimed, with an accent of triumph. "You seemed to speak just now as if really nothing of any consequence had passed between you." "In the first place, eh? And what does he mean in the second?"

Her arrival took the form of a surprise very nearly as violent as that of the other time. The elements were different, but the effect, like the other, arrested her on the threshold: she stood there stupefied and delighted at the magic of a passion of which such a picture represented the low-water mark. Wound up but sincere, and passing quickly from room to room, Fleda broke out before she even sat down. "If you turn me out of the house for it, my dear, there isn't a woman in England for whom it wouldn't be a privilege to live here." Mrs. Gereth was as honestly bewildered as she had of old been falsely calm. She looked about at the few sticks that, as she afterwards phrased it, she had gathered in, and then hard at her guest, as if to protect herself against a joke sufficiently cruel. The girl's heart gave a leap, for this stare was the sign of an opportunity. Mrs. Gereth was all unwitting; she didn't in the least know what she had done, and as Fleda could tell her Fleda suddenly became the one who knew most. That counted for the moment as a magnificent position; it almost made all the difference. Yet what contradicted it was the vivid presence of the artist's idea. "Where on earth did you put your hand on such beautiful things?" While Fleda held the door open Mrs. Gereth drew on her gloves. "Forgive me," she presently said. "Kiss me," she added. "A great mistake! That's all right." He spoke—it wasn't clear to her why—as if this declaration were a great point gained.